GOLFLAND describes each one of Scotland's golf courses. It is the detailed, definitive guide to the country's courses. It's the first book of its kind in more than a decade, an ambitious celebration of Scotland's embarrassment of golfing riches. Useful and informative, it is a practical reference work. Beautifully designed, with stunning photography by David Cannon, it is also a highly desirable gift. GOLFLAND is an appropriate name for a book about the courses of Scotland, the country recognised as the birthplace of the game. Scotland is a mecca for golf tourists worldwide, who come to play its most celebrated courses, such as Carnoustie, Muirfield and the historic links of St Andrews. Yet for all of Scotland's most distinguished courses, like those which host The Open, there are hundreds of others, some known to aficionados, some so far-flung as to be familiar to only a few. GOLFLAND records and celebrates them all. If you are planning a trip to Scotland or simply want to explore the richness of the country's golfing landscape, GOLFLAND is essential. For dreaming about some future game, or else remembering one played long ago, it is equally invaluable. GOLFLAND will answer almost all the questions you might have about Scottish golf courses. GOLFLAND is also the answer to a commonly asked question: what is the perfect gift for the golfer in my life?

This book provides practical and buildable solutions for the design of foundations for housing and other low-rise buildings, especially those on abnormal or poor ground. A wealth of expert information and advice is brought together dealing with the key aspects a designer must consider in order to achieve effective and economic foundation designs. This second edition of Structural Foundations Manual for Low-Rise Buildings has been completely updated in line with the new government guidelines on contaminated land and brown-field sites. The book includes well-detailed design solutions and calculations, actual case histories, illustrations, design charts and check lists, making it a user-friendly reference for contractors, structural engineers, architects and students who have to deal with foundations for low-rise buildings on sites with difficult ground conditions.

Many myths surround male bodies and associated bodywork, especially when such bodywork is labelled culturally or socially atypical or 'problematic'. Bodybuilding, for example, has been explained in terms of gender inadequacy and an 'Adonis complex' akin to reverse anorexia, while men electing to undergo aesthetic cosmetic surgery are deemed 'too concerned' about their appearance and thus woman-like. Myths also discredit men and boys who do not engage in appropriate bodywork when this is expected. For instance, amidst public health concerns surrounding a so-called 'obesity epidemic', men and boys who resist physical activity and/or attempts to promote a 'healthy weight' are deemed ignorant, apathetic and in need of correction. Drawing on extensive field research conducted in North America and Britain over a twenty year period, this book challenges such masculine myth making. Mindful of a rich sociological tradition that seeks to understand the social world as lived and experienced, the authors provide insights that are likely to challenge common perceptions of various groups of men and boys, their diverse physical cultures, shared ways of being and identities. Presenting empirically grounded understandings of diverse bodily practices and discourses including bodybuilding, cosmetic surgery, dieting and nightclub security, Challenging Myths of Masculinity will appeal to scholars of sociology, geography and cultural studies, with interests in gender, embodiment and masculinities.

Traceable as far back as the work of the path-breaking ???Chicago School??? of Sociology in the 1920s and 1930s, ???subculture??? and ???counterculture??? have long been conceptual staples of the discipline. Implemented originally to designate and describe smaller, often deviant or delinquent, groups within larger social communities, the terms gained pace in their use in mid-twentieth century criminological research, and especially with the development of Cultural Studies in the United Kingdom in the 1970s, where they became widely used to describe processes of social class-based opposition, resistance and protest. More recently, sociologists have moved beyond a strict conformity-resistance model in accounting for the behaviour of sub-communities that coalesce around particular values, behaviours, or preferences. Indeed, contemporary sociological research has raised the possibility that the term ???subculture??? in particular may have entirely outgrown its usefulness. While the term ???counterculture??? has also languished, there is no doubt that the sorts of social groups to which these terms have historically referred are more extensive and colourful than ever. Certainly this is the case in sport. Put simply, all societies are replete with their own versions of ???Tribal Play??? which encompass and represent wider social patterns, processes, and struggles.
This volume is a collection of 16 readings on aspects of sub-community life in sport that showcases the breadth and depth of sport subcultural research by a group of international scholars representing varied theoretical and methodological orientations. Some of the sport communities examined include soccer hooligans, enduranceathletes, disabled athletes, environmentally conscious surfers, and X-Games participants. This fourth volume in the Research in the Sociology of Sport series is edited by two sociologists whose academic training, research and teaching span three of the subdisciplines in which the concepts of ???subculture??? and ???counterculture??? have been most avidly used and critically tested (Criminology/Youth/Sport), and whose ???subcultural??? ventures both in sport and as sociologists are extensive. Michael Atkinson is Senior Lecturer in the School of Sport and Exercise Sciences at Loughborough University in the UK, and Kevin Young is Professor of Sociology at the University of Calgary, Canada.

Many myths surround male bodies and associated bodywork, especially when such bodywork is labelled culturally or socially atypical or 'problematic'. Bodybuilding, for example, has been explained in terms of gender inadequacy and an 'Adonis complex' akin to reverse anorexia, while men electing to undergo aesthetic cosmetic surgery are deemed 'too concerned' about their appearance and thus woman-like. Myths also discredit men and boys who do not engage in appropriate bodywork when this is expected. For instance, amidst public health concerns surrounding a so-called 'obesity epidemic', men and boys who resist physical activity and/or attempts to promote a 'healthy weight' are deemed ignorant, apathetic and in need of correction. Drawing on extensive field research conducted in North America and Britain over a twenty year period, this book challenges such masculine myth making. Mindful of a rich sociological tradition that seeks to understand the social world as lived and experienced, the authors provide insights that are likely to challenge common perceptions of various groups of men and boys, their diverse physical cultures, shared ways of being and identities. Presenting empirically grounded understandings of diverse bodily practices and discourses including bodybuilding, cosmetic surgery, dieting and nightclub security, Challenging Myths of Masculinity will appeal to scholars of sociology, geography and cultural studies, with interests in gender, embodiment and masculinities.

Contents:
Preface. Examples. 1. Site Investigations. 2. Foundation design. 3. Foundations in cohesive soils. 4. Foundations in sands and gravels. 5. Building in mining localities. 6. Sites with trees. 7. Developing on sloping sites. 8. Building on filled ground. 9 Ground improvement. 10. Building up to existing buildings. 11. Contaminated land.

This volume takes a fresh approach to qualitative research on sport and physical culture by presenting "student friendly" engaging chapters that clearly articulate the significance and practice of qualitative and/or critical methods in plain and convincing language. It outlines contemporary, cutting-edge approaches in qualitative research methods that students in undergraduate programs in sociology and sociology of sport, as well as, for instance, sport, exercise, kinesiology, or health, can understand clearly. Chapters revolve around one principal method in qualitative methodology, and look at why certain methodological choices were made, what problems were faced, and how these were overcome. Classic issues in methodology, contemporary issues in research methods and innovative trends in qualitative research are addressed through case study examples from emerging and exciting areas of research in sport studies. Topics covered include: historical methods; ethnography; auto-ethnography; embodied methods; interviewing; narratives; participatory action methods; interpretative phenomenological analysis; media analysis; and visual methods.

For many, Blue Velvet is David Lynch's masterpiece. It represents a unique act of cinema: an 80s Hollywood studio film as radical, visionary and cabalistic as anything found in the avant-garde; a mysteriously symbolic and subterranean 'cult' movie that nevertheless has recognisable stars and was broadly distributed; a genre piece with the ambience of a fearsome, hyper-composed nightmare; an American 'art film' by Hollywood's only reputable 'art film' director. Michael Atkinson's intricate and layered reading of the film shows how crystallises many of Lynch's chief preoccupations: the evil and violence underlying the surface of suburbia, the seedy by-ways of sexuality, the frightening appearance of the adult world to a child's eyes, presenting it as the definitive expression of the traumatized innocence which characterizes Lynch's work. In his afterword to this new edition, Atkinson situates Blue Velvet within a culture that has changed drastically in the 35 years since its release, and in doing so, he considers the film's lasting significance as it slowly turns from contemporary phenomenon to an interpretable artifact.

This resource comprises a collection of papers from participants at the IMCS Workshop on Computational and Geometric Aspects of Modern Algebra, held at Heriot-Watt University in 1998. Written by leading researchers, the articles cover a wide range of topics in the vibrant areas of word problems in algebra and geometric group theory. This book represents a timely record of recent work and provides an indication of the key areas of future development.

It all started with Charles the assassin. If he hadn't tried and failed to murder Princess Catrina, she wouldn't have sought out his employer, Vladimir the Marauder. If she hadn't done that, she wouldn't have gotten killed and sent to Character Heaven, and she never would've learned that she was a story character and not a real person. And all her many adventures after that might never have happened. This book contains all those events and more, in a collection of the first episodes of the Catrina Chronicles. These stories explain just how Catrina came to be, how she first met her love interest Perry, and how she fought her first battle against her arch-nemesis, Susan, leader of Character Hell. There's also the first Zombie Penguin Apocalypse, Velociraptors in helicopters, Gaseous Girl, and even Santa Claus

Captain Happily Married, the heroic and dutifully wedded defender of Edison City, believes life is going well. Super Soccer Mom fights by his side, he wields incredible strength, flight, and the ability to hurl a unity candle with deadly accuracy, and, for the moment, he doesn't have any really serious enemies. All that's about to change. The Malevolent Med-Student has hatched a diabolical scheme to wreck the good Captain's marriage to Super Soccer Mom, so that he can claim their secret superhero base by intestacy Can he be stopped? Will Captain Happily Married be able to retain his title? Will their marriage survive the onslaught of supervillainy? Who knows?

Princess Catrina knows she's a story character, and she's learned to love it. Almost too much. She knows she's the heroine, which means she always wins and her arch-nemesis, Susan, always loses. Even when she gets killed, her author always finds a creative way to resurrect her. She's got mad sword-fighting skills, and she's saved her world at least twice. She's even started a relationship with her sidekick, Perry, cousin of the librarian of Shmirmingard Castle. Princess Catrina believed that her story was destined for a happy ending. But then Susan shows up, and Catrina is suddenly plunged into an entirely different story. Now she must face a nemesis that makes Susan look like a cuddly snuggle bunny, not just a Big Bad, but a Bigger Bad. Her only chance is to join forces with the valiant hamsters of the starship Dangling Participle, in a desperate attempt to withstand the peril before it becomes really perilous. But even with the space hamsters, Catrina isn't sure if she'll survive. Because now, the rules have changed. Now the heroine doesn't always win. Now, if she wants a happy ending, she's going to have to earn it.